percussion heavy dubs by grrrr. exchange of natural resources over bank transfer. hot!!!

the free fall, to dive head first into something, is scary for most people. for some it is the most exciting thing however and the only possible path anyways. florian is one of those driven artists who never sounds the same, his signature tone is the free fall into new soundscapes, new ways of using his analog electronic instruments and carving out the essence for the dancing individual.

for his new release on nona records brooklyner max ravitz changes the formula again and delivers five spirited acid electro tracks. the ep will be out at the end of august supporting his european summer dates. for the past several years ravitz has been keeping up his production of house and techno music via different outfits like inhalants, masks, or pulpo and most notably patricia with his last year’s release – an epic 3lp record – ‘several shades of the same color’. his recent effort called ‘free lunch’ explores one of the directions presented on the album, however this time adding more color in the palette.

berlin based electronic mainstay marquis hawkes has announced details of his second lp ‘the marquis of hawkes’, due out 24th august 2018 on fabric’s in-house label houndstooth (home to call super, aïsha devi, special request and more). ahead of this, hawkes will also release a new single featuring acclaimed uk soul singer jamie lidell. the single, entitled ‘we should be free’, features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by hawkes himself. both this, and the essential previous single, “don’t u”, which featured the vocal talents of ursula rucker, will appear on the forthcoming album.

ltd 1 per customer - previously unreleased disco funk & modern soul from the total experience and capricorn labels. cut to vinyl from the original master tapes on limited edition hand-stamped white labels. 300 copies pressed and then gone.. check!!

“ferns and stuff” is wild & free’s debut single on discotexas. it’s part of the much anticipated debut album from this la based duo. titled “shapes on shapes” the album sees drew kramer and george cochrane deliver on the promise of their early releases with 11 tracks of languorous poolside disco, tropical pop and balearic house. this first advance single stands as a perfect example of the exotic album s vibe.
both multi-instrumentalists, singers and producers in their own right, the pair came together in 2015 and have spent the past 2 years crafting a series of acclaimed eps and remixes (for the likes of joe goddard (hot chip), panama, gigamesh, rac and ben browning of cut/copy) that saw them tipped by the likes of spin, xlr8r, indie shuffle and many more and take their live show on the road playing alongside the likes of brooklyn’s body language.

the moscow duo is back with an other dose of hunted industrial techno punches. from a navy fit republic of love!

sami baha is a turkish producer based in south east london. his music was introduced to the world via his 2016 ep “mavericks” (planet mu), recorded while he was moving from istanbul to london where he’s now been living the last 3 years. sami got into producing through being a rapper himself, working with local rappers in turkey and producing beats for them, before setting his sights outside the country.
while his first record was focused around a more familiar trap based hiphop sound, “free for all” expands its range into more unfamiliar territory and also brings his production into focus by featuring a number of mcs from all corners of the globe: uk drill squad 67’s dimzy, stockholm’s yung lean and chicago rapper and singer dj nate (aka flexxbabii) who’s previously recorded on planet mu as a footwork producer. the record also features the rowdy sing-song of egyptian mcs dawsha and abanob from cairo whom sami met while on tour in egypt.

from deep inside of berlins 24/7 darkrooms, here comes dj citys debut maxi single. two house trax made out of body fluids, pain and laughter after, to accompanize the teenage sex drive that want never ever fade away.

constantin xenakis work possesses exactly what i really love about intelligent electronic music. its stylishly repetitive, coded, mechanical but, at the same time, very organic and playful. this is how argyris theofilis, also known as zodiac free arts club, explains his fascination with european artist constantin xenakis. born in cairo, xenakis work often includes written script, in particular symbols andcodes of everyday life, traffic signs, alchemy, the zodiac, mathematical and chemical symbols, egyptian hieroglyphics as well as letters from the greek, phoenician, hebrew and arabic alphabets.a balance between human and inhuman that makes his art somehow mystical. after becoming fixated by xenakis, the greek music producer searched and eventually met him for the first time in 2012. after several meetings in paris and athens, they both decided to present structures + codes, a concept album conceived as an homage to the painters vision. each one of the eight songs in the album corresponds to a painting by xenakis, translating its intricate shapes and patterns into spirit-lifting compositions filled with elliptic arpeggios, repetitive drum machines and esoteric melodies in proper kosmische manner. but this is not a mere exercise in style. as xenakis paintings, its music that transcends its own codes to become an esoteric experience. this record should be heard comfortably.

crown of brahma are charles stella, nicole willis & daniel wyatt. the songs “an angel on my shoulder” & “and i’ll be free as a bird” were recorded in the period between 1995-1997, originally set for release on an lp on rawkus records in 1997. this album would have followed the release of the group, repercussions, album charmed life (pony canyon, 1997). nicole willis was the lead singer / songwriter of this group. charles stella & daniel wyatt worked together at temple of soul in new york city, where some of charmed life was also recorded. these two vocal tracks have never been commercially released, however were heard by tommi grönlund of sähkö recordings and leftfield, who requested to work with ms willis in result. the two tracks have been remastered in 2017 by charles stella.

the 20/20 vision offshoot basic vision continues to mine the folklore of the legendary back to basics with a selection of carefully selected deep cuts from the history of house music. chris cuevas hip hop already sounded strong when masters at work chunked it up in dub form, and then rob mello perfected the jam when he performed an extended edit on the breakbeat fuelled jam. eddie fowlkes where will i be? is a classic slice of 90s vocal house, while free energy is an uptempo deep house jam for those feel good peak time moments. black science orchestra sound utterly timeless on the soaring new jersey deep, laying the soul on thick and keeping things fresh and funky throughout.

on the back of their acclaimed debut album which was shortlisted for bbc 6 music ‘album of the year’, the hempolics release their latest offering for a record store day 2018 exclusive on limited edition 12” vinyl. on the a-side john holt’s version of ‘riding for a fall’, a song originally released by the tams, is given the full hempolics treatment featuring a powerful vocal from nubiya brandon. on the flip-side is a reinterpretation of nirvana classic ‘come as you are’ but with an original hempolics riddim drenched in atmospheric dub. both songs come with an instrumental so the soundsystems can get their own players involved.

the streets’ second album, “a grand don’t come for free”, was instantly hailed as another masterpiece to equal his initial clarion call, “original pirate material. whereas “original pirate material was a record that garnered acclaim from the electronic/dance fraternity and the forward-thinking wings of the rock/mainstream press, “a grand don’t come for free” swept the board in prompting critical praise.

a californian psychedelic surf on a wave that breathes dream-pop. a desire to fly above the himalaya mountains and go down the andes in summer toboggan. with the promising release of their debut ep -the world is in your hands-, there is a wave not to be missed for any good self-respecting surfer.-

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

flawless, direct , pure techno

black suitcase over bank transfer. music for the vodka booth. presented to you by max gee & funkycan.

love notes turns its affections towards the windy city with this exemplary 12- from chicago producer shmoo, who is no slouch in the energy department when rolling out the pumped up deep house delights of -sidehacker-. -intellect s intuitive waste- is no slouch either, taking a brighter sunshine approach compared to -sidehacker-s nocturnal veneer, and -limited trance- keeps the jack up while letting the additional tones and textures take things deeper. garrett david gets busy with -intellect s intuitive waste-, creating a crafty remix steeped in intriguing percussion without losing that housey focus that defines the love notes approach.

lillygood party! is returning with the 3rd instalment of their officially licenced re-edits.
both tracks here are classics dancefloors tunes , nothing rare, just favourite tunes that alex and stéphane played for many years.
on the a side the two tons version is much longer than the original, and remastered for a full effect on the dancefloor. we love this tune so much, we played it a lot already and its still rocking so we thought we share it with you on a fat 12inch for more disco soul gospel pleasure.
the b side is an amazing track from seawind that everybody who is into jazz funk or latin jazz with vocals will dig it. this version is different than the original, we kept only the more dancefloor friendly parts and we extended the beginning and end of the track with only drum rhythmic reprogrammed for mixing easily in your sets with other tunes. please enjoy as much as we do because we love those edits, we love those tunes, we love music we are very happy with this release because its really really good!

the entrance into a borderless landscape, the ambiguity of the main character, the warped signifiers, the sound image dissolving. one track, 13:50 of sonics, pressed in a single sided piece of vinyl and housed in a handmade silk screen printed cover.

50th anniversary 180 gram double lp edition with laser etching on side d, housed in gatefold sleeve. all analog mastering from the original 1967 tape.

the mindblowing second album from george clinton’s warped band of brothers. pressing on 180 gram vinyl.

one of the worlds most revered drum & bass outfits spectrasoul return with their third studio album how we live, self-released on their burgeoning ish chat music imprint. turning back to their roots for a more hardened, underground sound, how we live pushes through the full spectrum of d&b showcasing once more that trademark spectrasoul sheen and musicality that has won them legions of fans across the globe over the past 10 years.

ltd 2017 repress - following the rapturously received top ten album *our love*, which has dominated end-of-year lists, caribou has revealed a gloriously layered remix of *your love will set you free* by the one and only carl craig. dan snaith had this to say about the remix: *carl craig is a peerless remixer. i ve dreamed of having him remix one of my tracks for ages. he was one of the first people to publicly mention how much he liked *swim* when it was released and we ve been in touch since then. before i d gathered up the courage to ask him to remix a track on this album he got in touch and suggested it himself. the result is superlative and speaks for itself.*

louis guilliaume rotterdam-techno explorer on born free with a three tracker. electronic funk made with his best friend, akai.

unsurprisingly, richard galling, does indeed hail from milwaukee, having released disco inspired jams since about 2012. with his stuff getting plays on the likes of beats in space, he got his name out early. his latest offering is this single that features two original tracks and some remixes too. 303? features the eponymous bass machine all over this deep, arpeggio-heavy tech-disco jam, organ swaps the 303 for a classic robin s-style house organ, and prophet adds some big room bass. also included is a prophet version of clear water, a real late 80s, shep pettibone-style, latin house joint. luke solomons body edit, is absolut dancefloor heat !!

-fee fire- ist der neue film von ben wheatley (-high rise-, -sightseers-, -kill list-, -down terrrace-) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausführendem produzenten. der titel bezieht sich auf den epischen shoot-o

pure quality jungle madness

three long lost gems found deep down in samos bomb shelter. fresh oldschool-not-oldschool music for days and nights, nights and days!

the mindblowing second album from george clinton’s warped band of brothers.

swat s third release & detroit is in the house ! there are times in which you can clearly mark a producer s evolution. when they stop inching towards growth and make a bold statement of change in capability and vision. such is the case with this ep from detroit-based disco guru, pontchartrain. after a few years of steadily pushing out some significant pieces of work that have increasingly straddled the line between originals and edits, and nearly a decade of studio experience, his long overdue official house music debutante has arrived. featuring detroit local soul artist, coko buttafli laying down some blistering vocals with a clearly positive house music message, on top of live percussion and keys, and bold analog drum rhythms, pontch has created a solid diva-house gem. the sneaky festival-ready banger, loose , performed, mixed, and overdubbed live, provides some fantastic contrast and versatility to the release. a mr. g-esque remix by dj phenom just alexander and the musical journey of topher horn s evolving and deep version on the flipside make this a well rounded record that will undoubtedly stay in your bag for a good long while, and will find its way back in for years to come.

two late summer tracks from baba & samo mixed and dubbed at the hidden operators hq

das liverpooler quartett clinic schickt sich an, dem erst vor wenigen monaten veröffentlichten album free reign einen kleinen bruder an die seite zu stellen. daniel lopatin, der das album bereits mit produziert hat und zur zeit insgesamt recht ordentlich beschäftigt ist bei domino (ducktails, peaking lights), hat sich das gute stück nochmal zur brust genommen und nach seinen eigenen vorstellungen durch den wolf gedreht. das ergebnis erscheint anfang märz auf lp only via domino. limitiert auf 125 stück für deutschland!

please welcome frankfurts very own einzelkind as the latest addition to our artist pool. his first single 12inch contribution for cocoon recordings seems to be endless and gets nicely spiced up with hypnotic vocal elements and discoide space sounds. free savioni already made the terrace floor on one of our cocoon ibiza nights move big time. it actually had such a strong impact that we immediately had to sign it after einzelkind played it! aya curanderito on the flip side sounds like a late night party deep in the forest witch trolls dancing around a fire, this is deep shamanic business with a slight villalobos touch (no wonder as the two joined forces before for some other releases already). cool and trippy, something for the long nighs at the infamous robert johnson club or berlins panoramabar. welcome se±or einzelkind!

pedrodollar formerly known as petter hands in his first solo-single since his border community release some polyphony from 2006. this maxi single features reggae-not-reggae movers and other tricks only petter could pull off. dont snooze!

boston x detroit gherkin trax

3 overlooked jams on one 12inch single, excavated from the deepest realms of the tk disco vaults. remastered, represented and brought back into focus for 2017s dj bags and dance-floors. side a sees wizzdom s 1980 boogie jam free bass kicking off proceedings. a p-funk-ish, low slung jam indeed, it has everything you d want including some furious five esque shouts of free-bass! weaving in and out of the mix. this one is a true heads cut, one for the diggers! over on side b we get jimmy bo horne s slamming is it in? - a stomping piece of disco-funk that in the right hands will cause maximum damage. also, jimmy s mildly double-entendre lyrics are hugely entertaining! following up we have a cut from herman kelly & life, a refreshing love was an lp only release and is some serious downtempo latin tinged soul super soaked in miami sunshine! all in all, 3 majorly overlooked gems nestled away in the tk archive now brought back into the light. as usual, these tk represses are always done in the proper manner. 100% legit re-edits, from the archive, remastered and released in conjunction with henry stone music / tk disco - miami fl.

nice price deal !!! another belter from fuzzy hair...remix support by thomas schwartz

limited 2017 repress , clear 7 inch !!

currently based in stockholm where he djs regularly at late night city tracks at under bron, gordo is a mysterious and previously unsigned producer whose music spencer parker discovered on a documentary video about los angeles latino community and its roots in the rave and club scene of the early 90 s. breakbeat infused and reverberated percussion create the skeleton of opening track to the sky whilst crafty vocal snippets and saturated chords ebb and flow through its course. next up, para ti forms a tribal aesthetic with chanting vocal samples, deep bounding drums and hypnotic strings until breathe generates a timeless house aura with an irresistible lead synth complemented by floating pads. free expression is a dark dancefloor cut that closes the package with incessant kicks and twisted detuned blee